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The Bottom Line UCSB
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Kimya Dawson Rocks the 777

The Bottom Line - January 25, 2011

Negative Gemini and George Clanton Bring Fiery Electronic Music to KCSB Courtyard

Fleet Foxes Give a Politically Charged Concert at the Arlington

UCSB Middle East Ensemble Mesmerizes At The Song Tree

Dark Side of the Modern: Psychedelic Rock Makes Its Comeback

Stray Kids Make a Successful Japanese Debut With “SKZ2020”

Krystal Chen - April 14, 2020 1

The Dark Side of Stardom in The Weeknd’s “After Hours”

The Bottom Line - June 1, 2020 1

Upcoming Performance Will “Bathe” Santa Barbara in Electronic Beats

The Bottom Line - June 1, 2017 0

Exclusive Interview: Fortunate Youth

Kyle Roe - January 27, 2016 0

Coachella, a Weekend You Hope to Remember

The Bottom Line - April 26, 2011 6

Steve Aoki Brings Electrohouse to UCSB’s Hub

The Bottom Line - April 4, 2011 7

Arcade Fire’s “Everything Now” is Nothing, Forever

Rebecca Lauffenburger - August 4, 2017 0

“Folklore” and the Impact of Taylor Swift’s Musical Storytelling During the...

The Bottom Line - October 17, 2020 2

“FLOWERS for VASES / descansos,” A Sincere Offering in Uncertainty

The Bottom Line - March 4, 2021 1

“Beast Epic” is Like Everyone’s Favorite Boxed (Iron &) Wine

The Bottom Line - August 30, 2017 0
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Recent Posts

  • Mariculture and Expanding Ocean Food Production During Climate Change
  • In Photos – UCSB’s Extravaganza 2022 Featured Performances From A$AP Ferg, Dayglow, and Valentino Khan
  • Commemorating 20 Years of Sustainability at UCSB
  • “WE”: What Happened to the Fire in Arcade Fire?
  • Nature at UCSB: The Bat Star

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